We went straight to the trend forecasters at Style Sight to share the top trends from the New York spring 2011 runways
Front image from left to right: Rodarte, Jeremy Laing, Proenza Shouler1. Please provide your (Stylesight)'s top 5-10 trends for Spring 11?
The New York shows were exceptionally compelling this season. Several inspiring new themes emerged, and established trends were re-worked and updated, feeling fresh and new.
The 1970s inspirations that began to develop last season arrived in full force for S/S 11. Marc Jacobs’ influential collection is the poster child for this movement with its glam, Studio 54 attitude.
Perhaps the most obvious new trend was ethereal with a 1990s minimalist influence. A large number of collections began in all white, and sheers and other lightweight fabrics abounded. The collections of Alexander Wang and Narciso Rodriguez are among the best examples of this trend.
The sport trend, which developed for S/S 10, was re-invented this season and enlivened with a 90s rave vibe. Utilitarian details and activewear-inspired pieces are key elements for this trend, and pops of neon and iridescents give it an edge. Rag & Bone’s collection epitomizes this look.
A quirky Mod-inspired look, which began to form last season, was interpreted for warmer months this season. Colorblocking, bright popping colors and cheeky details like cutouts are key for this youthful look. Cynthia Rowley and Peter Som chose this look for their collections.
Finally, a preppy, all-American trend felt fresh this season. Boy by Band of Outsiders and Tommy Hilfiger were among the designers who showcased this aesthetic. Polos, sweater vests and chinos looked new in a pastel palette or in striking primary tones.
2. What was the overall mood at the shows?
There was an overall sense of lightness and optimism at the New York shows this season. As mentioned above, a striking number of collections began with a range of all white looks, which was shocking for a city whose inhabitants are known for their penchant for black. But the white, as well as other pale tones, was a refreshing departure; featherweight fabrics harmonized with the light shades, giving a sense of hopefulness and buoyancy.
On the flip side, the proliferation of 1970s references brought glamour back, with sumptuous satins and luxe feathers. Long printed dresses and high-waisted, flared pants captured the carefree vibe of the era.

From left to right: Alexander Wang, Band of Outsiders, Marc Jacobs
3. Any new standout designers or collections?
We were particularly impressed with young design duo Cushnie et Ochs’ collection this season. Edgy leather was softened with ethereal white dresses and femme florals. Also, relative newcomer Jeremy Laing presented a beautiful collection of draped dresses, innovative knits and flag-inspired colorblocking.
4. What was missing?
Black! The season’s light palette replaced the New York staple, black, and it was all the better for it. The optimistic looks were a positive shift, as designers challenged themselves to redefine cool; black and angular is being replaced by light and sheer.

From left to right: Peter Som, Rag and Bone, Cushnie and Ochs
5. How do you feel that what we saw on the runways reflects the overall social mood of the country right now? Or does it?
New York’s new optimism could be connected to the slowly improving economy. We are not out of the woods yet, but things are improving, and designers seem to be willing the economy out of its doldrums with their new buoyant mood.
6. Personal favorite designer or show...
Proenza Schouler’s collection was our favorite of the season. Its mix of ladylike tweeds and acid brights gave it a unique and compelling look that is sure to be influential. Rodarte’s surprisingly commercial show was also a highlight.









